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Introduction to PageMaker A Workshop. Table of Contents .. You can also create booklets with Adobe PageMaker. Before you start, you should think. PAGEMAKER. Convert to PDF This tutorial is designed to show the best way to save an PageMaker file to a PDF, for use with Adobe Normalizer Settings. LIST OF ADOBE PAGEMAKER TUTORIALS: Included on This Page are a List of Links . Pagemaker Tutorials - How to Create a Newsletter in Pagemaker (PDF) .
K J PageMaker opens the nal version of the publication you will create in this lesson, with horizontal and vertical rulers extending along the top and left edges of the publication window. Zero point marker B. Tool palette C. Horizontal ruler D.
Page E. Publication window F. Styles and Colors palettes G. Pasteboard H. Scroll bars I. Control palette J. Page icons K. You click to select a tool. The toolbox appears in the upper left corner of the publication window. PageMaker also has palettes for layers, master pages, and hyperlinks more about these in later lessons.
To save screen space, PageMaker lets you group the palettes you regularly use, or you can drag a palette out of the group if you want to display it independently. To activate a palette, you click its tab. Each palette also includes: a menu; a Maximize button to expand and minimize the palette; and buttons to create or delete a style, color, layer, etc. A B C changes to text and graphics without selecting a tool or choosing a menu command.
The Control palette appears in the lower portion of the publication window, and changes modes depending upon what is currently selected. Page Denes the print area of a publica- D E tion. Whenever you create a new publication, you specify the dimensions of the page. Only text or graphics on the page will print. Pasteboard Provides a workspace outside A.
Palette tab B. Maximize button C. Palette menu D. Trash button E. New button Page icons Indicates the currently the page where you can store and manipulate elements before positioning them on the page. The term pasteboard, like many of the terms in this course, comes from traditional publishing, where layout artists assemble text and graphics on a physical pasteboard.
The extra space on the board serves as a work space for elements not yet placed on the page. PageMaker displays an icon for every page in the publication.
To view a page, you click its page icon. The L and R page icons represent the left and right master pages. This publication was saved in the Fit in Window view. Note: When the size of this page is reduced to t within a inch or smaller monitor, the point text is displayed as gray bars an effect known as greeking.
The pointer changes to a magnifying glass. The zoom tool makes it easy to magnify and reduce the view of selected portions of the page. With the zoom tool selected, you can magnify the view of a specic portion of the page by either clicking or dragging over the area.
The plus sign in the zoom tool changes to a minus sign. Toggle back to the Actual Size view. Notice how PageMaker displays a rectangle with a dashed line as you drag the tool. When you release the mouse button, the selected portion of the page lls the publication window. You may nd it easier to use the following method to scroll in your publication. Option key Macintosh , position the pointer on the page or pasteboard, hold down the mouse button until the pointer changes to a grabber hand, and drag in any direction to scroll the view of the page.
Working with the toolbox and palettes As you work, you may nd the toolbox and palettes are in your way, especially if you have a small screen. PageMaker gives you several options to minimize the impact of the toolbox and palettes, while still keeping them handy.
You can move the toolbox or palettes, minimize the palettes so just the title bar and tabs show, temporarily hide all the palettes at once, or hide each group of palettes individually. Throughout these lessons, feel free to move or hide the toolbox and palettes as necessary.
If you like the palettes handy, but out of the way, you can move them to the bottom of the screen. Youll try this next. In Mac OS, you may need to drag the palette window until its bottom edge aligns with the bottom edge of the monitor screen.
Click the Maximize button in the palette window.
PageMaker reduces the palette to its minimum size and automatically drops it to the bottom of the screen. Normally when you minimize a palette the titlebar remains stationary. You can even let part of the palette or toolbox extend outside the publication window.
Youll now see how small a palette can be while still visible. The toolbox, Control palette, and Styles and Colors palettes disappear. Note: Be careful using this shortcut when the text tool is selected.
If you have text selected with the text tool, pressing Tab replaces the text with a tab character. If you have an insertion point in text, pressing Tab inserts a tab character into the line. Using the rulers The rulers along the top and left borders of your publication window can help you position text and graphic elements on a page. Finally, you can hide and show the toolbox, Control palette, or other palettes using the hide or show options on the Window menu.
The Window menu has a hide or show option for the toolbox and every palette. The options change from show to hide depending upon whether the toolbox or palette is displayed or, for palettes that are grouped, whether the palette is active. Also notice how when no text or graphic elements are selected in your publication, the Control palette displays the horizontal and vertical position of the cursor as X and Y coordinates, respectively.
Note: Since inches is the unit of measure established for this publication, the Control palette and the horizontal and vertical rulers display in inches. Because the Colors and Styles palettes are grouped together, PageMaker hides both palettes. By default, the zero point of single-sided publications is located at the upper left corner of the page.
To make it easier to measure distances from specic areas of your page, you can move the zero point to any location. Notice that both palettes are displayed, but now the Styles palette is the active palette. Notice how the zeros on the horizontal and vertical rulers are aligned at this location.
If necessary, click the scroll bars along the right and bottom edges of the publication window to view the upper left corner of the page. Setting up the rulers You can set the horizontal and vertical rulers to the measurement system you prefer. In general, its a good idea to choose a measurement system before you assemble a publication.
If a publication is open, the options you select in the Preferences dialog box apply to that publication only. If no publication is open, the options you choose apply to all new publications you create. PageMaker lets you set the horizontal and vertical rulers to different units of measurement. The horizontal and vertical rulers indicate the new location of the zero point. The vertical ruler indicates picas as the unit of measure.
Notice how the text and graphic elements remain in the same position on the page. Even though you usually work with one unit of measure throughout a publication, you can see it is possible to change to another unit of measure at any time without altering the positioning of elements. Notice the cyan horizontal and vertical lines positioned at various locations on the page. These ruler guides are used to position text and graphics on the page accurately.
It is possible to have as many as ruler guides on the page, in any combination of horizontal and vertical. The vertical ruler indicates picas as the unit of measure. Notice how the text and graphic elements remain in the same position on the page.
The pink horizontal lines at the top and bottom of the columns are the top and bottom margin guides. Even though you usually work with one unit of measure throughout a publication. For Vertical Ruler. Notice the cyan horizontal and vertical lines positioned at various locations on the page. Bottom Margin guide C.
Sometimes you will want to hide the rulers so you have more room on the screen to view your publication. The darker blue vertical lines indicate the columns. These ruler guides are used to position text and graphics on the page accurately. Ruler guides. Make sure the Right. You need to determine the maximum printable area your printer can print. If the documentation that came with your printer does not provide the dimensions of the maximum printable area.
To do so. If you have saved any changes made to the 01Final. PostScript printer in the Print dialog box when it is time to print. Designed to be printed on a dpi dots per inch desktop laser printer. If you do not have the required printer. So that you can use the 01Final. The resulting printed page will show you the print area. Most printers do not print to the very edge of the page. PageMaker makes it possible to print text and graphics positioned between the edge of the page and the margins.
When you release it. For this reason. Unlike many word-processing applications. Then click OK. PageMaker lets you adjust the size of a single column to a different width than the area between the left and right margin guides. Locate and select the 01Lesson folder and click Save. The vertical space between the columns is called the gutter. When you specify two or more up to twenty columns. PageMaker automatically creates columns of equal width. Gutter Specifying column guides With the.
Type 2 for Number of Columns to restore the two columns of equal width. For more information on placing graphics. If you want to move or delete a guide margin. Locate and open the 3 With the pointer tool selected. You can move and resize objects precisely by entering values in the Control palette. The pointer changes to a loaded graphic icon. Mac OS. PageMaker lets you import. PageMaker positions the photograph so that its top left corner is aligned with the position of the top left corner of the loaded graphic icon where you clicked to place the photograph.
You will position the graphic icon where you want the upper left corner of the graphic to appear. After you move or delete a guide. The eight square graphics handles displayed at the corners and edges of the photograph indicate the graphic is selected. PageMaker stops scrolling. For now. If you are unable to restore the photograph to its original size. Any subsequent action. Even though it is possible to resize bitmap images in PageMaker.
If you drag outside the publication window. In box. A text block. If you click outside of the column. PageMaker resizes only in a vertical or horizontal direction. If this is the case. You can also import text from documents created using earlier versions of PageMaker. The windowshades that stretch horizontally across the top and bottom borders of the text indicate the text is selected as a text block. Placing text in column 2 You can insert text created in other wordprocessing applications into a PageMaker publication.
Normally when you drag a top or side center handle. Click to place the text avoid clicking outside of the column. Choosing the Save command deselects all objects in a publication. Corner handle B. These stunning views must have inspired architects to execute their best work.
This Victorian dwelling exemplifies turn-of-the-century New England architecture at its best. Top windowshade handle C. A story can be one letter or several hundred pages of text. For more information about this property and others in the Boston area contact Joan Rutherford at Harbor Realty. The empty windowshade handle at the bottom of a text block indicates the end of a story. Much like adjusting the height and width of a graphic element. Bottom windowshade handle A red triangle appears in the bottom windowshade handle.
With the pointer tool selected. A B 3 Position the pointer on the bottom windowshade handle bottom loop. Then click the text again to select it as a text block.
A story is text recognized by PageMaker as a single unit. The empty windowshade handle at the top of a text block indicates the beginning of a story. This home bestows the colonial charm of New England's past upon this quaint neighborhood. The most spectacular In the heart of the Boston area lies a true architectural gem. If you clicked the triangle by mistake.
In the heart of the Boston area lies a true architectural gem. For example. To create. To select a word. The point size of a font is the height of the font from the bottom of the descenders such as p to the top of the ascenders such as h. You will change the font. Like type size. The next step shows you the easiest way to select the entire story. Leading is the vertical space in which text is placed. If you are unable to restore the text block to its original size. You can select a single character or the entire contents of a text block by dragging the text tool across the target text.
To select a paragraph.
Depending on the size of the text block. Unlike type size. Apply button When formatting text using the Control palette. PageMaker automatically applies the formatting or effect to the selection. Size C. Leading D. In contrast.
This vertical space for type is also referred to as the slug or the leading slug. In the heart of the Boston area lies a true arch This Victorian dwelling exemplifies turn-of-th England architecture at its best.
Font pop-up menu B. In addition to tion just minutes from downtown Boston. When you choose from a pop-up menu or click a button in the Control palette. Hold down Shift. To allow for a two-line caption under the photograph. The baseline is the imaginary line on which the text letters rests. Positioning the text block in column 2 You will position the text block in column 2. Descenders such as y fall below the baseline.
You can use the Shift key as you drag objects to move them in a straight line horizontally or vertically. PageMaker has all the word-processing capabilities you need to type and format your text from scratch. While it is possible to create and edit text in layout view.
This Cambridge residence bestows the colonial charm 6 Creating the caption Rather than importing existing text into PageMaker. To move or delete the guide. In addition to its prime location just minutes from The photograph is aligned with the text in column 2. A stroll 9 north on Lyon Street past a hilly intersection looks out over the pine and maple woods of a nearby park.
Because you locked the guides earlier in this lesson.
PageMaker uses AGaramond Italic. Close to the beautiful Charles River. When you apply italic to AGaramond. Drag the text. Placing text in column 1 Again. Because you established an insertion point within column 1. The blinking cursor on the left margin guide indicates the position of the insertion point. Triple-clicking text selects a single paragraph.
On the Macintosh. The pointer changes to a loaded text icon.
Just as with formatting text. For more information about the Story Editor. Because the caption and the text in column 2 both have the same leading value and are snapped to the same guide.
Landscaped by a premiere Boston architect. For this lesson. In addition to its prime location just minutes from Freshly painted exterior and interior detail. In addition to applying colors and tints to text. Spacious three bedroom. Roman for Font. Stroke button Fill button Both button Colors palette tab Tint pop-up menu Double-clicking text with the text tool selects an entire word. In addition to applying a tint. To apply color or a tint of a color to text. Control palette choose AGaramond for Font.
You select the Stroke. PageMaker groups the Styles and Colors palettes together. To move the bottom triangle independently. Click OK. Indents move text inward from the left and right edges of a text block. In this example. Note that the top triangle moves with the bottom triangle. You will create a ruler guide that touches the baseline of the text in column 2. The hand tool lets you move or pan the page within the publication window. PageMaker displays only the bounding box of the object or text block.
The kitchen has been fully modernized with state of Landscaped by a premiere Boston architect. Creating a ruler guide Now that the text in column 1 is placed and formatted.
The pointer changes to a hand icon. Modern renovations boast the finest electronic 3 appliances. If you click on the object or text block and hold the mouse button down until the pointer changes to an arrowhead.
You will shift the page over a little so you can see some of the text in column 2 as well. On the other hand. PageMaker displays the object or text while you drag it. The kitchen has been fully modernized with state of 4 Landscaped by a premiere Boston architect. Before typing the text. Display text. After typing the heading and assigning text attributes. Home Review to select it as a text block.
The baselines of the text in both columns are now aligned. To pan the page without changing tools. Creating the display text You will create the display text heading and position it above the columns of text. Its left edge should still be aligned with the left guide of column 1. When you create or place text on any part of the pasteboard except the pasteboard to the left of the page. You will align the baseline of the text with this horizontal ruler guide.
Cutting and pasting text You will cut the word Review. In To toggle between the selected tool and the pointer tool. Home Spacious three bedroom. The pasted text appears as a selected text block. As you press the spacebar. Holding down Ctrl or Command and the spacebar while you click or drag is a zoom tool shortcut.
In Home Review Spacious three bedroom. This Victorian dwelling exemplifies turn-of-thecentury New England architecture at its best In.
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Now that you have applied a tint of black to the text. Since you just pasted the word Review back into the publication. As you place. Home Review Spacious three bedroom. This Victorian dwelling exemplifies turn-of-thecentury New England architecture at its best In I n the heart of the Boston area lies a true architectural gem.
PageMaker keeps track of their stacking order on the page. Moving or modifying an object does not affect the stacking order. The pointer changes to a crosshair icon. To access shortcuts in online help. You will use the ellipse tool to draw a circle. You can make the ellipse tool draw a circle by holding down Shift as you drag. To create the display text Home Review. Using the rectangle tool. Release the mouse button to complete the box. Hold down the mouse button. Most monitors cannot display fractional stroke widths in the Actual Size view.
The hairline is displayed on the page. The pointer changes to a crosshair. Notice that after you release the mouse button. Even though you will not perceive a difference in stroke width on most monitors. In Before you type the address. Center-align button PageMaker centers the text within the text block. Horizontal scaling pop-up menu 3 Type the following address: Range kerning is one of the available techniques for increasing or decreasing the space between letters.
To kern the address. Negative values move characters closer together. Apply button B. PageMaker accepts kerning values between -1 and 1 1 equals 1 em space. The baseline for the address is established. Character-view button C. In point type. As you learned earlier.
Kerning 3 From the horizontal ruler. You can apply range kerning only to a selected range of text.
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These stunning views must have inspired architects to execute of the bottom edge of the address box and the 4. Activated when you create a publication. The vertical ruler guide appears in the center of the gutter.
In the Print Color dialog box. PageMaker automatically starts Acrobat Distiller. For information on creating and editing PDF styles and printer styles.
For Title. Leave the Subject. This may take a few minutes. Type Home Review in the Title text box. The settings displayed in this window may not match those you selected in the PDF Options dialog box.
On Mac OS. If not. Click the Paragraphview button in the Control palette. Double-click the zoom tool in the toolbox to switch to Actual Size view. Since you will reset the PageMaker preferences at the beginning of every lesson. If prompted to save. Then position the pointer in either ruler. To zoom out.
The letterhead design incorporates the use of two spot colors premixed inks printed on a commercial printing press and tints of spot colors spot colors that are lightened by printing a dot pattern instead of a solid color.
Once the letterhead is printed. Myriad Bold. Starting PageMaker Before beginning to assemble the publication for this lesson.
To demonstrate the entire process. Bold Italic appear in font menus in Windows applications. The text featured in the lesson is in Spanish. This lesson covers: You must apply bold and italic to AGaramond to use AGaramond. AGaramond Semibold Italic. Bold Italic notice the comma. You set application defaults when no publications are open. Application defaults can be overridden at any time for the particular publication you are working on.
Because you will be creating letterhead. Like the Myriad typeface used in the previous lesson. Leave all other options at their default values. Setting an application default PageMaker has two kinds of defaults: Since no publication is open. This project uses picas as the measurement system. Unlike application defaults.
When you specify a measurement in picas and points.
Picas are the units most commonly used in graphic design. Adobe Garamond is an Adobe Originals typeface. You must apply bold to Myriad Roman to use Myriad Bold.
Application defaults are settings that PageMaker uses each time you create a new publication. Publication defaults override application defaults. Picas are divided into 12 points. The Preferences dialog box displays some of the application defaults that will be applied to any new publication you create.
Marie Julieta Braga e-mail: Even though you just accepted the application default to display guides in front of text and graphics in the Preferences dialog box. La casa. The letterhead design features a variety of text and graphics elements and uses two spot colors.
La videocinta de Esperanza. Notice how all guides are displayed behind the text and graphics elements. The page dimensions appear in the application default measurement system. Choose a Target Output Resolution of dpi. If the page size you want is not available in the Page Size pop-up menu.
Feel free to zoom in or out and to move or minimize palettes as needed to complete a step. You can press the Tab key to jump from edit box to edit box. For Margins. Letter is selected for page size. Based on the design.
In some cases. Art that has not been trapped can easily misregister on the press. It is crucial to anticipate this sort of issue. Creating a new publication Whenever you create a new publication. Trapping compensates for misregistration by slightly overlapping adjacent colors. When you create a new publication. For more information on trapping. The Legal page size is one of the preset page sizes available in the Page Size pop-up menu.
If you do not have the required printer, you can still create the project as directed and then print it on your own printer by.
The margin guides form a rectangle enclosing the image area, which is where you will put most of your text and graphics. Saving the publication as a template Even though the template is not assembled, you will name it and save it as a template. In PageMaker 7. Saving a publication as a template means that when you open this template, PageMaker opens an untitled copy of the template, not the original document. To click the pasteboard, you may need to scroll the page using the scroll bar on the right side of the window.
Times New Roman or Times, size: Locking the ruler guides Now that you have positioned the ruler guides, you will use the Lock Guides command to lock them in place. The Lock Guides command locks ruler guides and column guides in place, preventing you from moving them accidentally.
To reposition or delete a ruler guide, choose the Lock Guides command again to unlock the guides. Creating the display text With imagination you can use PageMaker to create display text elements that go a long way toward enhancing your publications.
Display text, usually 14 points or larger, serves to attract attention. Notice that you did not need to click the Apply button or press Enter or Return to apply the new font and size to the letter. Resizing text blocks 8 With the text tool still selected, click the pasteboard above the page a little away from the uppercase B and plus sign, again, to avoid inserting the cursor in the same text block as the other two characters , and type a lowercase letter b.
On the Macintosh, you can get the same result if you select AGaramond Italic directly. Once a text element is selected as a text block with the pointer tool , the text block can be resized, positioned, or transformed. Notice how the windowshades extend well beyond the bounds of the uppercase B.
It is easier to work with a text block when its width is close to the width of its content, especially in a design like this where you are. The selection area of text includes the text block. So, when a text block is oversized, you can mistakenly select it even though you are clicking quite a distance from the actual text. As mentioned before, spot colors are printed on a printing press using premixed inks.
Use spot colors when an element such as a corporate logo requires an exact color match, or to add impact to your publication. Incorporating spot and process colors into a publication created in PageMaker is simple, but to get the best printed results, you need to understand how spot and process colors are printed. Always discuss a project with your service provider and printer.
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With the width of the text blocks reduced, it is easier to select, view, and manipulate these text blocks. The Color Options dialog box prompts you to select a color. Each model represents a different approach to describing color. For more information, refer to the Adobe PageMaker 7. PANTONE offers spot colors that set the industry standard for reproducible spotcolor inks, and 3, process colors organized chromatically, including process-color simulations of the spot-color library.
Now you can select or create another color. Although you can click a color to select it, typing the ink number if you know it is often faster than scrolling to locate a color. Applying spot colors After opening the Colors palette, you will apply the spot colors you just selected to the display text. In addition to text, you can apply colors to lines, rectangles, ellipses, and monochrome and grayscale bitmap images.
Colors palette. In addition to displaying the two spot colors you selected, the Colors palette displays three spot colors, Blue, Green, and Red; four process colors, Cyan, Magenta, Yellow, and [Black]; and four items you cannot remove, [None], [Paper], [Black], and [Registration].
The Stroke, Fill, and Both buttons apply to objects. Stroke button Fill button Both button. To align these text elements.
When you use the quick-drag method. Drag across the three text blocks to magnify the view. The pointer changes to the zoom tool. In order to compose a logo design using the display text. B b center of the group. With the lowercase b positioned in the middle of the stack. You will use the Send Backward command to move the lowercase b from the top of the stack to the middle of the stack. Unlike the Send to Back command that moves an object to the bottom of the stack.
The text objects are joined together as a single entity. Since the lowercase b was created last. Width and height E.
PageMaker drags that handle to resize the object. Percent scaling F. The Control palette lets you resize. Arrow When the point is an arrow. Square When a selected point is a square.
Skewing Before Before When you select an object. Scaling button G. Unless otherwise stated.
To toggle between the states. Changes you make to an object with the Control palette are affected by the reference point you select and the state of that point. In the same way. The Proxy icon contains nine spots called reference points.
Rotating H. Except for the center point. For more information on the Control palette. Coordinates D. Proxy icon C. Each reference point in the Proxy icon has two states. If instead you change X and Y. Make sure the Both button is selected in the Colors palette.
To create another box. Depending on where you drew the boxes. As was mentioned before. If the palettes are in the way.
Applying [Paper] to text or graphics elements causes the color of the paper on which you print to show through the selected object.
Before pasting the text you just cut. B Note: PageMaker actually uses Myriad Bold. Then type 13 for Size. Formatting and positioning the address After cutting the address from the placed text on the pasteboard.
Do not select the telephone and fax numbers. Since you set 1p2 left and right indents. Drawing lines The letterhead design includes two dashedlines that you will create using the constrained-line tool.
Before aligning the address. Position the crosshair on the intersection of the 12p horizontal ruler guide and the 8p vertical ruler guide.
Applying a tint of a spot color to a box After drawing a box in the left margin. The second line you will draw is a vertical line that is aligned with the 8p vertical ruler guide. So that you can use the control palette to help you position the line.
Type 90 for Rotation. Formatting the rotated text You will format the text before positioning it in the tinted box. Rotating a text block After using the Control palette to rotate a text block. Press the Backspace Windows or Delete Macintosh key to remove the line above the numbers and any spaces.
Click an insertion point before the letter T of Telefono. Rather than drag the text block to the page. Then drag the text block so that the baseline of the rotated telephone number is aligned with the 7p vertical ruler click the rotated text to select it as a text block. As mentioned earlier. It will be easier to assemble the envelope with a large view of the publications.
Before you drag and drop a portion of the letterhead design from the 02WorkA. Tiling the publication window After opening a custom template that includes outlines of a business-size envelope and a business card. The PageMaker window displays the 02FinalA. If prompted to save before closing. The untitled copy of the template displays outlines of a business-size envelope and a standard-size business card.
You are ready to create the envelope and business card. Dragging a group from one publication to another PageMaker makes it possible to copy text. Be careful not to select the dashed lines or the tinted box and rotated text.
Assembling a business card In addition to creating text and graphic elements. The envelope design is complete. The group is still selected in the 02WorkA. Creating a tinted box After drawing a box. Drawing lines Like the letterhead design. The second line you will draw is a vertical line that is aligned with the left edge of the tinted box. Paragraph-view button. The pasted text is not rotated like the copied text.
Although it may be hard to tell. As with text. To move a text block or graphic in increments. You will slow-drag this group to the business card outline to view the objects as you drag. Just drag to the edge of the publication window. If the ruler guide you are about to drag the boxes to is not on the screen. PageMaker will scroll until you stop the mouse. Adjust the selected box if necessary. If you quick-drag a group.
B and. Printing the letterhead Now that you have assembled all elements for the letterhead stationery. Opening the letterhead template Now that all text and graphics in the 02WorkA. All text and graphic elements are still displayed. Assembling a letter Using the 02WorkA. Knowing the line screen frequency. PageMaker opens an untitled copy of the template. Even though you will open a copy of the template. For this example.
Closing the 02WorkA. Because you have saved 02WorkA. The Open Publication dialog box indicates a copy of the template will be opened. If the preprinted letterhead stationery were available. Make sure the 02Lesson folder is selected.
The empty top and bottom windowshade handles indicate the entire story is displayed. Then choose one of the commands on the Arrange menu. A tint is a spot color that is lightened by printing a dot pattern instead of the solid color. British Columbia. This three-page. Bold Italic notice the position of the comma. AGaramond Bold. Although the PageMaker application provides a collection of styles style sheet.
More than ensuring consistency in a publication. Opening an existing document This lesson covers: AGaramond Bold Italic. It is our judgment that the quantity and quality of natural light and external views deemed adequate for underground spaces in the Northern Pointe Development cannot be established with certainty. It is very possible that significant heating and cooling economies would be achieved by virtue of underground construction and the application of appropriate solar collection techniques.
Birch is a particularly legible condensed display typeface and is notable for its angled serifs. To move forward one page. Spectacular solar site: Automobile ramp access from Grant Road to below grade parking will need to be given further consideration as well. It should be noted that extensive above grade construction would impair efforts to provide natural illumination for below grade spaces. A recent study of such underground architectural spaces notes that many of the kinds of space with which we are dealing.
The southern face of proposed structures along Grant Road offer optimum orientation for collection of solar energy. All fonts used in this publication are Adobe Originals fonts. Project Plan Skylights. In utilizing the Northern Pointe site. Other organizations were queried to form the basis of judgment in determining the overall need.
Preliminary analysis of the site has indicated that it would be feasible to construct three below grade levels. In addition. An effort has been made to work with the full extent of space requirements currently voiced by the Western Division Management Center and the Bella Coola Village Organization. Italic appear in font menus in Windows applications. The extent of above grade construction is constrained by a desire to limit the maximum height of new construction to about 25 feet to 28 feet above grade.
Characteristic examples of such spaces would be conference centers. This could be accomplished through the use of sunken gardens which would adjoin below grade working areas to provide light as well as important visual orientation and variety. With these parameters in mind.
The page icons in the lower left corner of the publication window indicate this document consists of three pages. To move backward one page. Characteristic occupancy of such spaces would by relatively secondary and routinized. This assumes that recommended measures would be taken to preserve the Douglas Fir trees. It can be recognized that sunken gardens or other light-searching architectural elements will require substantial space to be fully effective.
This recognizes that as the program development progresses. The left margin of the second page displays the rotated display text. Yet it is evident that space will be required and must be set aside for natural light. Accordingly, we believe that space for natural light and view must be initially allocated on the basis of approximate judgment in lieu of more fixed guidelines. We expect that during further development of this project, new information may suggest some adjustment of this allocation.
In the time frame of Northern Pointe development it is felt that the Douglas Fir trees alone would merit preservation during construction, although replacement planting of a number of major trees is envisioned to follow construction.
The current space planning figures reflect these assumptions. The resulting total , gross square feet of space estimated to be available for development exceeds the current requirements of , square feet by a moderate amount.
We would not necessarily suggest any further increase in the program size to more closely match the space available for development. There is considerable leeway for adjustment of the siting and configuration of the above grade buildings under consideration.
At this level of investigation, only schematic studies of this question can be undertaken. A number of schemes of massing options have been studied, and the strongest two have been selected for illustration to suggest alternate ways to approach this unique problem. At this stage, it is suggested that the recommendations in this study be equally reviewed. However, to save disk space, all the images in this project have been scanned at dpi.
Assembling a master page Every PageMaker publication contains at least one body page and one master page. While body pages contain the actual text and graphics of the publication, master pages contain repeating elements, such as margin and column guides, page numbers, headers, and footers.
In PageMaker, the default master page is called Document Master. You can create and name additional master pages if your publication contains more than one page design.
To produce a more cohesive design for this multipage publication, you will establish a master page that will contain a variety of design elements, such as guides, repeating text, page numbering, and graphic elements that will be common to all its pages. At this juncture it would appear reasonable to expect that , square feet of space could be accommodated below grade, easily accommodating the three-level design. Further expansion below grade to the north of the Grant Community Center may constitute valuable space available for further development, although it has not been studied herein or included in available space estimates.
Although the constraints on above grade construction do not directly translate into. Again, the left margin displays the graphics and rotated display text. When printed on a dpi or dpi desktop laser printing device, grayscale photographic images scanned at a resolution of dpi will meet the print quality requirements of this publication.
Grayscale illustrations, however will print more clearly. Creating a new publication To create a master page, create a new or open an existing publication, and then display the master page itself. Make sure Letter is. Click Double-sided to deselect it. To set the margin guides, type 2. Choose dpi for Target. The page 1 icon is highlighted, indicating page 1 is selected.
To import, create, and modify text and graphic elements on a master page, you must select the master page. PageMaker displays the master page, and highlights the R icon. A single-sided publication has only one master-page icon. In a double-sided publication, you would see master-page icons L and R for the left and right master pages.
Any column guides or ruler guides you create on a master page are automatically displayed on publication pages. Even though it is possible to vary column guides from page to page, placing column guides on master pages provides a consistent look throughout a publication. In addition, specifying column guides on the master page saves you the effort of specifying column guides on individual pages. Type 2 for Number of columns, and click OK. In previous lessons, you used the Colors palette to apply tints lightened colors to text and graphic objects.
In this lesson, you will add two tints of black to the Colors palette, providing a shortcut to applying the same tint to multiple objects. Palette menu. Then type. Proportional-scaling button. When set to proportional scaling, you can enter a single value and PageMaker resizes the object evenly in both directions. Using the Control palette to resize an object proportionally After drawing a circle, you will use the Control palette to resize and position it. This circle will serve to frame the page numbers.
Shift to constrain the ellipse to a circle , and drag to draw a circle of any diameter in the upper left corner of the page. Specifying automatic page numbering To automatically number all pages in this publication, you will place a page-number marker on the master page.The options change from show to hide depending upon whether the toolbox or palette is displayed or.
Pagemaker Tutorials - Balancing Columns in Pagemaker - Sometimes you want the columns on a page to be of equal size, so that their top and bottom edges align. If not start again. Although the PageMaker application provides a collection of styles style sheet. Unless you want to place an inline graphic a graphic attached to text. When you create or place text on any part of the pasteboard except the pasteboard to the left of the page. It acts as a blueprint for what your publication will become.
This project covers the following topics: Even if you have the final content before you start building the document, there are advantages to using frames to layout the publication. Pagemaker Tutorials - Working with Inline Graphics in Pagemaker - Graphics placed as inline graphics become part of the text block.